Henley is a compelling protagonist, gritty yet refreshingly vulnerable. The case proves daunting, and Henley knows she must question Olivier - even though the PTSD caused by his attack on her nearly two years ago already threatens to undo her. She won’t let the woman’s parents suffer the same police indifference her friend’s parents did.Īs they find more mutilated bodies, Henley and her detective trainee, Salim Ramouter, must determine the connection between the victims and why the killer targeted them. Henley vows to pursue this recent victim’s killer. “The police didn’t bother, and the press didn’t bat an eyelid until a 15-year-old white girl went missing,” she recalls. One of the new victims - a Black woman - reminds Henley of a young Black friend who'd been kidnapped and murdered as a teen. With Olivier in prison, it’s got to be the work of a copycat. Now, Henley’s supervisor calls her back into active duty when police find two more dismembered bodies bearing the Jigsaw Killer’s signature symbol carved into their skin. Olivier not only murdered his attackers he dismembered their bodies and artfully arranged the resulting “puzzle” pieces. Olivier’s infamous killing spree was in revenge against the soldiers he served with in the army - men who brutally raped him and were then exonerated of their crime. Henley has been on desk duty for the last 18 months, ever since Peter Olivier, the murderer dubbed the Jigsaw Killer, stabbed her during his arrest. Wanting to create a protagonist who looked like herself, Matheson’s hero is Detective Inspector Anjelica Henley, a Black woman who understands what it’s like to suffer from assumptions based on her skin color and her gender. In her debut thriller, The Jigsaw Man, London criminal-defense attorney and author Nadine Matheson illuminates the legal system’s apathy toward murder victims from marginalized groups, as well as sexism and racism in law enforcement.

The jigsaw man nadine matheson